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Harpoon tattoo meaning9/12/2023 ![]() Only Medusa was mortal, the other two are immortal. There were three of them: Medusa, Stheno, and Euryale. The Gorgon wore a belt of serpents that intertwined as a clasp, confronting each other. Her power was so strong that anyone attempting to look upon her would be turned to stone therefore, such images were put upon items from temples to wine kraters for protection. gorgo or gorgon, “terrible” or, according to some, “loud-roaring” was a vicious female monster with sharp fangs which was a protective deity from early religious concepts. The Gorgon – In Greek mythology, a so-called gorgon, transl. Later on, Zeus rewarded Amalthea by placing her in heaven as a constellation (Capricorn) and gave her horn to his nurses assuring them of an unending supply of everything they desired from it. The Cornucopia symbol traces its history to the Greek mythology when the God Zeus was fed as an infant by a goat, Amalthea with her milk. It is depicted as a spiraling horn-shaped basket filled with grains and fruits produced by the bountiful Earth. The Cornucopia – Also known as the Horn of Plenty, the Cornucopia is a Greek symbol of harvest abundance, prosperity, and nourishment. ![]() Omphalos stones used to denote this point were erected in several areas surrounding the Mediterranean Sea the most famous of those was at the oracle in Delphi. According to the ancient Greeks, Zeus sent out two eagles to fly across the world to meet at its center, the “navel” of the world. In Greek, the word omphalos means “navel” (compare the name of Queen Omphale). The Omphalos – An omphalos is an ancient religious stone artifact or Baetylus. It was used as a symbol of the Roman Republic in many circumstances, including being carried in processions, much the way a flag might be carried today. The traditional Roman fasces consisted of a bundle of white birch rods, tied together with a red leather ribbon into a cylinder, and often including a bronze ax (or sometimes two) amongst the rods, with the blade(s) on the side, projecting from the bundle. Fasces, a plurale tantum, from the Latin word Fascקs, symbolizes summary power and jurisdiction, and “strength through unity”. This symbol has been used throughout history by different religions, groups, and families (as a Japanese samurai family crest), eventually working its way into Christian iconography. It is an ancient symbol carvings of which were found in 1980 on the bases of Bronze-age burial urns at Southworth Hall Barrow, Croft, Cheshire, England and the urns date back to circa 1440 BC. The Solar Cross or Sun Cross features a circle around a cross the solar cross has many variations including the one on this page. It is native to southeastern Europe, Asia Minor, and some central European spa regions apparently brought there by Romans for their healing properties. The snake wrapped around the staff is widely claimed to be a species of rat snake, Elaphe Longissima, also known as the Aesculapian or Asclepian snake. The Asclepius wand or Asclepius rod is an ancient Greek symbol associated with astrology and with healing the sick through medicine. The rod of Asclepius symbolizes the healing arts by combining the serpent, which is shedding its skin is a symbol of rebirth and fertility, with the staff, a symbol of authority befitting the god of Medicine. ![]() (An English slang equivalent might as well be “vagina hand.”) It represents a hand gesture in which the thumb is thrust between the curled index and middle fingers in obvious imitation of heterosexual intercourse. Mano means “hand” and fico or Figa means “fig,” with the idiomatic slang connotation of a woman’s genitals. Examples have been found from the Roman era, and it was also used by the Etruscans. The Mano Fico The mano fico, also called Figa, is an Italian amulet of ancient origin. As an LGBT symbol, it represents lesbianism and female or matriarchal power. Today it is sometimes used as a symbol of Hellenic Neopaganism. The labrys was formerly a symbol of Greek fascism. The labrys also appears in African religious symbolism and mythology (see Shango). The labrys symbolism is found in Minoan, Thracian, Greek, and Byzantine religion, mythology, and art, dating from the Middle Bronze Age onwards. Labrysis the term for a double-headed ax, known to the Classical Greeks as Pelekys or Sagaris, and to the Romans as a bipennis.
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